February 2009

Balance

 

Light Steps

Light Steps

This photo is balanced because the light pole is strategically placed on the left side of the frame.  If the light pole was missing, the steps would pull the eye to much to the right side and feel unbalanced.

Dynamic Tension

 

Climbing Salt

Climbing Salt

The dynamic tension in this photo is created by Jordan standing on top of the strong line of salt.  The salt has numerous lines running through it that are broken up by the bags hanging by the chords.  Another line is created by the jet streams.  All the lines create tension with one another.

Figure & Ground

 

Plant

Plant

Figure and ground is created in this photo by the plant being in focus and the background slightly out of focus.

Rhythm

 

Bus Seats

Bus Seats

I created  rhythm in this photo by capturing the progression of the chairs.

Pattern, Texture, Many

 

Belt Rollers

Belt Rollers

I created a patter by shooing down a line of rollers on a conveyor belt.  The rollers also have a rusted texture.

Perspective & Depth

Lock

Lock

I chose to give a different perspective to a lock by shooting it from underneath and created depth in the photo by defocusing the large structure above it.

Visual Weight

 

Carburetor

Carburetor

To create visual weight, I made the carburetor the focal point of this photo by slightly blurring the background.

Frame Within Frames

 

Ladder Frame

Ladder Frame

The intent behind this photo was to not only frame the ladder’s rungs, but also frame the ladder itself.  The silo provides a frame for the ladder and the circle cage around the ladder frames itself leading the eye toward the end of it.

Horizon

 

Lonely Tree

Lonely Tree

The purpose behind this photo was to shoot a low horizon to emphasize the lone tree among the blue sky.  I accomplished this by framing the tree and horizon just right.

Dividing the Frame

 

Door 17

Door 17

My intent behind this photo was to present several items into one image.  I divided the frame by using Fibronacci’s division rule and shooting the door from a straight on perspective.